I believe in the quiet frame. In what disappears too quickly to be archived. In the things we pass by without seeing.

The Underexposed is not a gallery, and it’s not a portfolio. It’s a way of noticing. A place for fragments. Moments that never raised their hand, but stayed with me anyway.

I’m a filmmaker, but this is not cinema. It’s what comes before the story or after it. Stillness as a form of protest.

There is no algorithm here. No demand for resolution. Only a slow accumulation of what usually goes unwitnessed.

This is for the in between. For light at the edge of the frame. For the second before someone speaks. For the gesture you almost didn’t catch.

This is The Underexposed. Not a brand. Not a movement. Just an open eye and the decision to not look away.